{"id":79877,"date":"2015-09-25T17:01:19","date_gmt":"2015-09-25T20:01:19","guid":{"rendered":"https:\/\/sistema.funarte.gov.br\/noticias-antigas\/?p=79877"},"modified":"2015-10-14T04:07:08","modified_gmt":"2015-10-14T07:07:08","slug":"xxi-bienal-de-musica-brasileira-contemporanea","status":"publish","type":"post","link":"https:\/\/sistema.funarte.gov.br\/noticias-antigas\/?p=79877","title":{"rendered":"XXI Bienal de M\u00fasica Brasileira Contempor\u00e2nea"},"content":{"rendered":"

Programa<\/span><\/strong><\/span><\/p>\n

Acesse, ao final, mat\u00e9ria com mais informa\u00e7\u00f5es e cat\u00e1logo completo<\/span><\/p>\n

_____________________________________________<\/p>\n

10 de outubro de 2015 – s\u00e1bado, 17h<\/span>
\n<\/strong><\/h3>\n

Theatro Municipal do Rio de Janeiro<\/span><\/p>\n

I<\/p>\n

Alexandre Espinheira\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 E tornou-se f\u00e1bula** <\/em><\/strong><\/p>\n


\nJorge Antunes \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Apoteose de Rousseau*<\/em><\/strong><\/p>\n


\nPaulo Costa Lima \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Sete flechas: um batuque concertante*<\/em><\/strong><\/p>\n

piano solo Aleyson Scopel<\/p>\n

II<\/p>\n

Lucas Duarte\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4 pe\u00e7as para orquestra**
\n<\/em><\/strong> I \u2013 Linhas e nuvens<\/em>; II \u2013 Mancha<\/em>; III \u2013 Canto<\/em>; IV – \u00a0Quedas<\/em><\/p>\n


\nEli-Eri Moura\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Apsis*<\/em><\/strong><\/p>\n

violino solo Vin\u00edcius Amaral<\/p>\n

Liduino Pitombeira\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A m\u00e1quina do mundo*<\/em><\/strong><\/p>\n

I \u2013 Ordem geom\u00e9trica<\/em>; II \u2013 Noturno<\/em>;<\/p>\n

III \u2013 Presto<\/em>; IV – \u00a0Fremente<\/em><\/p>\n

Orquestra Juvenil da Bahia (Neojib\u00e1), regentes Eduardo Torres e Ricardo Castro<\/p>\n

obras em estreia mundial:<\/p>\n

*encomendadas pela Funarte em 2014<\/p>\n

**vencedoras do Pr\u00eamio Funarte de Composi\u00e7\u00e3o Cl\u00e1ssica 2014<\/p>\n

___________________________________<\/p>\n


\n11 de outubro de 2015 – domingo, 19h<\/span><\/strong><\/h3>\n

<\/strong><\/p>\n

Sala Cecilia Meireles<\/span><\/p>\n

I<\/p>\n

Silvio Ferraz\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Kairos II resposta a Chronos IX*<\/em><\/strong><\/p>\n

Grupo UdiCello:<\/p>\n

violoncelos Isaac Andrade, Bruno Thayer,<\/p>\n

Gabriel Gon\u00e7alves, Thiago Wolf, Eder Belchior e<\/p>\n

Ezequiel Urbano;percuss\u00e3o L\u00facio Pereira e Manoel Moura<\/p>\n

diretor art\u00edstico e regente Kayami Satomi<\/p>\n


\nJos\u00e9 Augusto Mannis\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A mo\u00e7a e o velho rel\u00f3gio**<\/em><\/strong><\/p>\n

violoncelo Paulo Santoro, piano Josiane Kevorkian<\/p>\n


\nSam Cavalcanti\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Estudo para dois violinos**<\/em><\/strong><\/p>\n

violinos Vin\u00edcius Amaral e Fl\u00e1via de Castro Amaral<\/p>\n


\nAlexandre Ficagna\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Escondido num ponto**<\/em><\/strong><\/p>\n

Abstrai Ensemble:<\/p>\n

flauta Pauxi Gentil-Nunes, violoncelo Marcus Ribeiro,<\/p>\n

sax Pedro Bittencourt, piano Marina Spoladore<\/p>\n

II<\/p>\n

Raul do Valle\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Improviso para duo de violoncelos*<\/em><\/strong><\/p>\n

Duo Santoro: violoncelos Paulo e Ricardo Santoro<\/p>\n


\nLuiz Cosme (in memoriam<\/em>)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Can\u00e7\u00e3o do tio Barnab\u00e9<\/em><\/strong><\/p>\n

<\/em>piano solo Patr\u00edcia Bretas<\/p>\n


\nMario Ferraro\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sambaquis**<\/em><\/strong><\/p>\n

Duo Bretas\/ Kevorkian<\/p>\n

piano Patr\u00edcia Bretas e Josiane Kevorkian<\/p>\n


\nAylton Escobar\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 En el hondo silencio de la noche (Escena)*<\/em><\/strong><\/p>\n

clarineta Cristiano Alves, violoncelo David Chew,<\/p>\n

piano Midori Maeshiro,<\/p>\n

Coro Brasil Ensemble \/ Escola de M\u00fasica da UFRJ<\/p>\n

regente Maria Jos\u00e9 Chevitarese<\/p>\n


\nCadu Verdan\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 O peso do Eco**<\/em><\/strong><\/p>\n

piano Patr\u00edcia Bretas e Josiane Kevorkian;<\/p>\n

percuss\u00e3o Leo Souza, Rodrigo Foti e Fernanda Kremer;<\/p>\n

Coro Brasil Ensemble \/ Escola de M\u00fasica da UFRJ<\/p>\n

regente Maria Jos\u00e9 Chevitarese<\/p>\n

obras em estreia mundial:<\/p>\n

*encomendadas pela Funarte em 2014<\/p>\n

**vencedoras do Pr\u00eamio Funarte de Composi\u00e7\u00e3o Cl\u00e1ssica 2014<\/p>\n

__________________________________________<\/span><\/p>\n

<\/span><\/strong><\/p>\n

<\/span><\/strong><\/p>\n


\n12 de outubro de 2015 \u2013 segunda-feira, 19h<\/span><\/span><\/strong><\/h3>\n

<\/span><\/strong><\/p>\n

Sala Cecilia Meireles<\/span><\/strong><\/p>\n

I<\/p>\n

Gilson Beck\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ecos na catedral**<\/em><\/strong><\/p>\n

piano solo Sara Cohen<\/p>\n


\nHarry Crowl\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Elogio da sombra*<\/em><\/strong><\/p>\n

clarone solo Thiago Tavares<\/p>\n


\nCaio Pierangeli\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ultimumspiritum**<\/em><\/strong><\/p>\n

<\/strong><\/p>\n


\nII<\/strong><\/p>\n

<\/strong><\/p>\n


\nWellington Gomes\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Varia\u00e7\u00f5es po\u00e9ticas sobre um sert\u00e3o esquecido*<\/em><\/strong><\/p>\n

violino solo Daniel Guedes<\/p>\n


\nJ. Orlando Alves\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Concerto Grosso**<\/em><\/strong><\/p>\n

Quarteto Radam\u00e9s Gnattali:<\/p>\n

violinos Carla Rinc\u00f3n e Andr\u00e9ia Carizzi;<\/p>\n

viola Estevan Reis, violoncelo Lars Hoefs<\/p>\n


\nMarlos Nobre\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Furioso<\/em>*<\/strong><\/p>\n

Orquestra Sinf\u00f4nica da Universidade Federal do Rio de Janeiro\u00a0 (naipe de cordas)<\/p>\n

regente Lu\u00eds Gustavo Petri<\/p>\n

obras em estreia mundial:<\/p>\n

*encomendadas pela Funarte em 2014<\/p>\n

**vencedoras do Pr\u00eamio Funarte de Composi\u00e7\u00e3o Cl\u00e1ssica 2014<\/p>\n

___________________________________________________<\/p>\n

13 de outubro de 2015 – ter\u00e7a-feira, 19h<\/span><\/strong><\/h3>\n

<\/span><\/strong><\/p>\n

Sala Cecilia Meireles<\/span><\/strong><\/p>\n

I<\/p>\n

Tauan Gonzalez Sposito\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Se as \u00e1rvores nascessem das nuvens**<\/em><\/strong><\/p>\n

Quarteto Brasiliana:<\/p>\n

violinos Roberto Faria e William Isaac;<\/p>\n

viola Samuel Passos, violoncelo Paulo Santoro<\/p>\n


\nAlexandre Lunsqui\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Guturduo*<\/em><\/strong><\/p>\n

flautas Eduardo Monteiro e Lucas Robatto<\/p>\n


\nDaniel Vargas\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 O Catraz II \u2013 Engenhoca para viola solo**<\/em><\/strong><\/p>\n

viola solo Martin\u00eaz Nunes<\/p>\n


\nH. J. Koellreutter (in memoriam<\/em>)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Improviso para flauta solo<\/em><\/strong><\/p>\n

flauta Tahyn\u00e1 Oliveira<\/p>\n


\nVitor Ramirez\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Signo Austral**<\/em><\/strong><\/p>\n

Camerata Profana (USP):<\/p>\n

flauta Tahyn\u00e1 Oliveira e Carolina Chaves,<\/p>\n

clarineta Bruno Avoglia, trombone Gabriel Trettel,<\/p>\n

tuba Raphael Caserta, violoncelo Amanda Ferraresi,<\/p>\n

piano Mariana Carvalho<\/p>\n

regente Enrico Ruggieri<\/p>\n

II<\/p>\n

Gustavo Penha\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Vento sob os dedos**<\/em><\/strong><\/p>\n

flauta solo Eduardo Monteiro<\/p>\n


\nRicardo Tacuchian\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Pimenta malagueta*<\/em><\/strong><\/p>\n

violino solo Carla Rinc\u00f3n<\/p>\n


\nEdino Krieger\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Entrada harm\u00f4nica e frevo can\u00f4nico* <\/em><\/strong><\/p>\n


\nMaur\u00edcio Dottori\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Et facta est procella magna venti ** <\/em><\/strong><\/p>\n


\nCaio M\u00e1rcio dos Santos\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Varia\u00e7\u00f5es livres para quinteto de sopros** <\/em><\/strong><\/p>\n

Quinteto Villa-Lobos:<\/p>\n

flauta Rubem Schuenck, clarineta Paulo S\u00e9rgio Santos,<\/p>\n

obo\u00e9 Luis Carlos Justi, fagote Aloysio Fagerlande, trompa Phillip Doyle<\/p>\n

obras em estreia mundial:<\/p>\n

*encomendadas pela Funarte em 2014<\/p>\n

**vencedoras do Pr\u00eamio Funarte de Composi\u00e7\u00e3o Cl\u00e1ssica 2014<\/p>\n

________________________________<\/p>\n

14 de outubro de 2015 – quarta-feira, 19h<\/span><\/strong><\/h3>\n

Sala Cecilia Meireles<\/span><\/strong><\/p>\n

I<\/p>\n


\nMatheus Bitondi\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Jogo dos espelhos mutantes**<\/em><\/strong><\/p>\n

fagote solo F\u00e1bioCury<\/p>\n


\nS\u00e9rgio Kafejian\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Soproinverso**<\/em><\/strong><\/p>\n

clarineta solo Lu\u00eds Afonso Montanha<\/p>\n


\nRonaldo Miranda\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 R\u00e9plicas<\/em>: <\/strong><\/p>\n

I – \u00a0Incisivo<\/em>; II – \u00a0L\u00fadico<\/em>; III\u2013L\u00edrico<\/em>*<\/p>\n

clarineta Lu\u00eds Afonso Montanha, fagote F\u00e1bio Cury<\/p>\n


\nDanniel Ferraz\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Toada para flauta solo**<\/em><\/strong><\/p>\n

flauta solo Maria Carolina Cavalcanti<\/p>\n


\nHenderson Rodrigues\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Proto movimento**<\/em><\/strong><\/p>\n

Quarteto Uirapuru<\/p>\n

violinos Fernando Pereira e M\u00e1rcio Sanches,<\/p>\n

viola Dyan Toffolo, violoncelo Claudia Grosso<\/p>\n

Orquestra Solistas do Rio<\/p>\n

violinos F\u00e1bio Peixoto e Leonardo Fantini,<\/p>\n

viola Bernardo Fantini, violoncelo Thais Ferreira,<\/p>\n

contrabaixos Cl\u00e1udio Alves e Tonhy Botelho<\/p>\n

regente Rafael de Barros<\/p>\n

II<\/p>\n

Roseane Yampolschi\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Zikhronot** <\/em><\/strong><\/p>\n

Quarteto Uirapuru<\/p>\n

Violinos Fernando Pereira e M\u00e1rcio Sanches,<\/p>\n

viola Dyan Toffolo, violoncelo Claudia Grosso<\/p>\n


\nPaulo Rios Filho\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A vinte dias do fim*<\/em><\/strong><\/p>\n

flauta Andrea Ernest, clarineta Batista Jr.<\/p>\n


\nPaulo HenriqueRaposo\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mixture**<\/em><\/strong><\/p>\n


\nMarc\u00edlio Onofre\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (Im)pulsos de Taipa*<\/em><\/strong><\/p>\n

Grupo CRON:<\/p>\n

flautas Afonso Oliveira e Felipe Marateo,<\/p>\n

clarinete Marcos Passos, obo\u00e9 Thiago Neves,<\/p>\n

fagote Jeferson Souza,trompete Matheus Moraes,<\/p>\n

trombone Jo\u00e3o Luiz Areias, violino Ta\u00eds Soares,<\/p>\n

viola R\u00fabia Siqueira, violoncelo Jana\u00edna Salles,<\/p>\n

contrabaixo Cl\u00e1udio Alves,piano Tatiana Dumas<\/p>\n

regente Marcos Nogueira<\/p>\n

obras em estreia mundial:<\/p>\n

*encomendadas pela Funarte em 2014<\/p>\n

**vencedoras do Pr\u00eamio Funarte de Composi\u00e7\u00e3o Cl\u00e1ssica 2014<\/p>\n

____________________________________<\/p>\n

15 de outubro de 2015 – quinta-feira, 19h<\/span><\/strong><\/h3>\n

Sala Cecilia Meireles<\/span><\/strong><\/p>\n

I<\/p>\n

Fred Carrilho\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 EVENTVM V\u2013 V\u00f3rtices** <\/em><\/strong><\/p>\n

percuss\u00e3o Pedro S\u00e1 e Janaina S\u00e1<\/p>\n


\nTiciano Rocha\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Digress\u00e3o de for\u00e7a**<\/em><\/strong><\/p>\n

percuss\u00e3o Tiago Calderano, Pedro Moita<\/p>\n

e Louren\u00e7o Dias de Vasconcellos<\/p>\n


\nMario Ficarelli (in memoriam<\/em>)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Quinteto para trompa e quarteto de cordas<\/em><\/strong><\/p>\n

trompa Ant\u00f4nio Augusto,<\/p>\n

violinos Ana de Oliveria e Marco Catto,<\/p>\n

viola Dhyan Toffolo, violoncelo Marcus Ribeiro
\nII<\/p>\n

<\/strong><\/p>\n


\nAlfredo Barros\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ant\u00eddoto<\/em> (texto do compositor)*<\/strong><\/p>\n

I \u2013 Ant\u00eddoto<\/em>; II \u2013 Noites e rosas<\/em>; III \u2013 Dist\u00e2ncia<\/em><\/p>\n

tenor Alberto Pacheco, fagote D\u00e9bora Nascimento,<\/p>\n

piano Tamara Ujakova, violoncelo Luciano Corr\u00eaa,<\/p>\n

percuss\u00e3o Paraguass\u00fa Abrah\u00e3o<\/p>\n


\nMario Ferraro\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Trap\u00e9zio**<\/em><\/strong><\/p>\n

clarinetas Marcos Passos, Marcelo Ferreira e Batista Jr,<\/p>\n

piano Katia Baloussier, percuss\u00e3o Janaina S\u00e1,<\/p>\n

harpa Marco Monteiro<\/p>\n

regente J\u00e9sus Figueiredo<\/p>\n


\nDaniel Vargas\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 O Catraz III \u2013 Engenhoca para catrumaninstrumentos**<\/em><\/strong><\/p>\n

ABSTRAI Ensemble:<\/p>\n

flauta Pauxy Gentil-Nunes, violino Mariana Salles,<\/p>\n

viol\u00e3o Fabio Adour, percuss\u00e3o Daniel Serale<\/p>\n


\nEdson Zampronha\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sonora*<\/em><\/strong><\/p>\n

ABSTRAI Ensemble:<\/p>\n

flauta Pauxy Gentil-Nunes, clarineta Batista Jr.,<\/p>\n

sax Pedro Bittencourt, violoncelo Marcus Ribeiro,<\/p>\n

contrabaixo Andr\u00e9 Brasil, piano Marina Spoladore,<\/p>\n

percuss\u00e3o Daniel Serale,<\/p>\n

regente Tobias Volkmann<\/p>\n

coordenador Daniel Serale<\/p>\n

obras em estreia mundial:<\/p>\n

*encomendadas pela Funarte em 2014<\/p>\n

**vencedoras do Pr\u00eamio Funarte de Composi\u00e7\u00e3o Cl\u00e1ssica 2014<\/p>\n

___________________________________________<\/p>\n

16 de outubro de 2015 – sexta-feira, 19h<\/span><\/strong><\/p>\n

Sala Cecilia Meireles<\/span><\/strong><\/p>\n

(ver tamb\u00e9m: \u201cPrograma\u00e7\u00e3o extraordin\u00e1ria\u201d)<\/p>\n

I<\/p>\n

Felipe Lara\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ventos uivantes**<\/em><\/strong><\/p>\n

Grupo CRON:<\/p>\n

flauta Felipe Marateo, clarineta Marcos Passos,<\/p>\n

fagote Jeferson Souza, violino Ta\u00eds Soares,<\/p>\n

viola R\u00fabia Siqueira, violoncelo Jana\u00edna Salles<\/p>\n

regente Marcos Nogueira<\/p>\n


\nClayton Ribeiro\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Fragmentos** <\/em><\/strong><\/p>\n

trombone solo Jo\u00e3o Luiz Areias<\/p>\n


\nAnt\u00f4nio Borges-Cunha\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tempo e Mem\u00f3ria*<\/em><\/strong><\/p>\n

piano Ney Fialkow, acorde\u00e3o Ant\u00f4nio Borges-Cunha,<\/p>\n

violino Vagner Cunha, percuss\u00e3o Diego Silveira,<\/p>\n

bombo leg\u00fcero Ernesto Fagundes<\/p>\n


\nRubens Tubenchlak\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Cercado de neblina com estilha\u00e7os no olhar**<\/em><\/strong><\/p>\n

flauta Andrea Ernest, clarineta\/clarone Igor Carvalho,<\/p>\n

fagote Ariane Petri, violino Ana de Oliveira, viola Dhyan Lucas,<\/p>\n

violoncelo Nora Fortunato, vibrafone Leo Souza,<\/p>\n

viol\u00e3o Alexandre Gismonti,<\/p>\n

regente Alexandre Schubert<\/p>\n

<\/strong><\/p>\n


\nII<\/span><\/p>\n

<\/strong><\/p>\n


\nMarcos Lucas\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tr\u00eas poemas de Alberto Caeiro<\/em> (texto: Fernando Pessoa)*<\/strong><\/p>\n

I – \u00a0Passou a dilig\u00eancia pela estrada<\/em>;<\/p>\n

II – \u00a0Para al\u00e9m da curva da estrada<\/em>; III – \u00a0Leve, leve, muito leve<\/em><\/p>\n

GNU:<\/p>\n

soprano Diana Maron, flauta Carolina Chaves, clarineta Batista Jr.,<\/p>\n

violino Ayran Nicodemo, viola Jo\u00e3o Senna, viol\u00e3o Gabriel Lucena,<\/p>\n

violoncelo Pablo de S\u00e1, percuss\u00e3o Ana Let\u00edcia Barros,<\/p>\n

regente Marcos Lucas<\/p>\n


\nMarcus Siqueira\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Signo sopro VI*<\/em><\/strong><\/p>\n


\nIvan EijiSimurra\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Shapiro Peer XI**<\/em><\/strong><\/p>\n


\nPauxy Gentil-Nunes\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Noneto*<\/em><\/strong>
\nABSTRAI Ensemble:<\/p>\n

flauta Pauxy Gentil-Nunes, clarineta Batista Jr., sax Pedro Bittencourt,<\/p>\n

fagote Ariane Petri, trompa Waleska Beltrami, violino Mariana Salles,<\/p>\n

viola DhyanToffolo, violoncelo Marcus Ribeiro, contrabaixo Alexandre Brasil,<\/p>\n

piano Marina Spoladore, vibrafone Daniel Serale, celesta Katia Baloussier,<\/p>\n

percuss\u00e3o Daniel Serale,<\/p>\n

regente Roberto Victorio<\/p>\n

Coordenador: Daniel Serale<\/p>\n

obras em estreia mundial:<\/p>\n

*encomendadas pela Funarte em 2014<\/p>\n

**vencedoras do Pr\u00eamio Funarte de Composi\u00e7\u00e3o Cl\u00e1ssica 2014<\/p>\n

____________________________<\/p>\n

17 de outubro de 2015 – s\u00e1bado,19h<\/span><\/strong><\/h3>\n

<\/span><\/strong><\/p>\n

Sala Cecilia Meireles<\/span><\/strong><\/p>\n

(ver tamb\u00e9m: \u201cPrograma\u00e7\u00e3o extraordin\u00e1ria\u201d)<\/p>\n

I<\/p>\n


\nThiago Diniz\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Coriolis**<\/em><\/strong><\/p>\n

difus\u00e3o Thiago Diniz<\/p>\n


\nJulian Maple\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tuning**<\/em><\/strong><\/p>\n

sopranos Gabriela Geluda e Doriana Mendes,<\/p>\n

flauta S\u00e9rgio Barrenechea, contrabaixo Ant\u00f4nio Arzola,<\/p>\n

difus\u00e3o Julian Maple<\/p>\n


\nFliblio Ferreira\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Pray\u00e1 (Ritual)**<\/em><\/strong><\/p>\n

flauta S\u00e9rgio Barrenechea,<\/p>\n

difus\u00e3o Fliblio Ferreira<\/p>\n


\nJo\u00e3o Pedro Oliveira\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Chroma*<\/em><\/strong><\/p>\n

piano \u00c9rica Ribeiro, percuss\u00e3o Ana Let\u00edcia Barros<\/p>\n

difus\u00e3o Jo\u00e3o Pedro Oliveira<\/p>\n

II<\/p>\n

Aquiles Guimar\u00e3es\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Pataphysica**<\/em><\/strong><\/p>\n

difus\u00e3o Aquiles Guimar\u00e3es<\/p>\n


\nRodolfo Coelho de Souza\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Besti\u00e1rio I* <\/em><\/strong><\/p>\n

piano Marina Spoladore<\/p>\n

difus\u00e3o Rodolfo Coelho de Souza<\/p>\n


\nVal\u00e9rio Fiel da Costa\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Funerais 3- \u00a0*<\/em><\/strong><\/p>\n

difus\u00e3o Val\u00e9rio Fiel da Costa<\/p>\n


\nJocy de Oliveira\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mobius II*<\/em><\/strong><\/p>\n

soprano Gabriela Geluda, violoncelo Luciano Correa,<\/p>\n

percuss\u00e3o Siri, guitarra el\u00e9trica Aloysio Neves ,<\/p>\n

viola Jo\u00e3o Senna<\/p>\n

difus\u00e3o Marcelo Carneiro de Lima<\/p>\n

coordenadores Marcelo Carneiro de Lima e Paulo Dantas<\/p>\n

obras em estreia mundial:<\/strong><\/p>\n

*encomendadas pela Funarte em 2014<\/p>\n

**vencedoras do Pr\u00eamio Funarte de Composi\u00e7\u00e3o Cl\u00e1ssica 2014<\/p>\n

18 de outubro de 2015 – domingo, 19h<\/strong><\/p>\n

<\/strong><\/p>\n

Sala Cecilia Meireles<\/strong><\/p>\n

(ver tamb\u00e9m: \u201cPrograma\u00e7\u00e3o extraordin\u00e1ria\u201d)<\/p>\n

I<\/p>\n

<\/strong><\/p>\n

Nikolai Brucher\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Who can turn skies back? **<\/em><\/strong><\/p>\n


\nRoberto Victorio\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tetragrammaton XV b*<\/em><\/strong><\/p>\n

viol\u00e3o solo Gilson Antunes<\/p>\n


\nAlexandre Schubert\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Cenas da Paix\u00e3o segundo Aleijadinho**<\/em><\/strong><\/p>\n

<\/em>I \u2013 Introdu\u00e7\u00e3o<\/em>; II \u2013 A ceia<\/em>; III \u2013 O horto<\/em>; IV \u2013 A pris\u00e3o<\/em>;<\/p>\n

V \u2013 Eis o homem<\/em>; VI \u2013 A cruz \u00e0s costas<\/em>; VII \u2013 A crucifica\u00e7\u00e3o<\/em><\/p>\n

bar\u00edtono solo Marcelo Coutinho<\/p>\n

II<\/p>\n

Marisa Rezende\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Fragmentos*<\/em><\/strong><\/p>\n

Emanuel Cordeiro\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Transforma\u00e7\u00f5es uirapurinas**<\/em><\/strong><\/p>\n

Flo Menezes\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 PostScriptio*<\/em><\/strong><\/p>\n

violino solo Claudio Cruz<\/p>\n

OrquestraSinf\u00f4nicaNacional \/ UFF<\/p>\n

regentes Simone Menezes e Claudio Cruz<\/p>\n

obras em estreia mundial:<\/p>\n

*encomendadas pela Funarte em 2014<\/p>\n

**vencedoras do Pr\u00eamio Funarte de Composi\u00e7\u00e3o Cl\u00e1ssica 2014<\/p>\n

___________________________________________<\/p>\n

<\/strong><\/p>\n

PROGRAMA\u00c7\u00c3O EXTRAORDIN\u00c1RIA <\/span><\/strong><\/h3>\n

<\/span><\/strong><\/p>\n

ESPA\u00c7O GUIOMAR NOVAES \u2013 15h30
\n<\/span><\/strong><\/p>\n

<\/strong><\/p>\n

Dia 16 \u2013 sexta-feira – <\/strong>proje\u00e7\u00e3o de v\u00eddeo da \u201ctrag\u00e9dia secular\u201d Caf\u00e9<\/em><\/strong>, texto de Mario de Andrade, m\u00fasica de Koellreutter<\/p>\n

solista Margarita Schack, narrador Serafim Gonzales, baixo Jos\u00e9 Gallisa, quatro corais, 30 figurantes.<\/p>\n

Orquestra Sinf\u00f4nica Municipal de Santos, regente Luis Gustavo Petri – \u00a0duas orquestras de c\u00e2mara dirigidas por Koellreutter com o auxilio de tr\u00eas maestros<\/p>\n

cenografia Gianni Ratto, dire\u00e7\u00e3o c\u00eanica Fernando Peixoto, figurinos: Maria do Carmo Brandini<\/p>\n

Cen\u00e1rio\/conjuntura: a \u00e9poca da depress\u00e3o, com a queda da exporta\u00e7\u00e3o do caf\u00e9, o desemprego e a fome entre os trabalhadores rurais e do porto de Santos. O texto \u00e9 o do poema hom\u00f4nimo em 1942 e fala do drama de estivadores do porto santista diante da crise do caf\u00e9 de 1929. A montagem comemorou os 450 anos da cidade de Santos.<\/p>\n

V\u00eddeo cedido pela TV Cultura \/ Funda\u00e7\u00e3o Padre Anchieta<\/p>\n

Dia 17 – s\u00e1bado <\/strong>mesa-redonda M\u00fasica e Pol\u00edtica \u2013 Koellreutter e Mario de Andrade<\/em><\/strong><\/p>\n

Participantes: Flavia Toni, Jorge Coli e Carlos Kater; mediador: Flavio Silva<\/p>\n

<\/strong><\/p>\n

Dia 18 – domingo: Revivendo o grupo M\u00fasica Viva<\/em><\/strong>
\n– \u00a0recital do Duo Ouvir Estrelas: canto Clarissa Cabral, piano Eliana Monteiro da Silva<\/p>\n

EdinoKrieger\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tr\u00eas sonetos de Drummond<\/em><\/p>\n

Eunice Catunda\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Dois estudos folcl\u00f3ricos<\/em> (piano solo)<\/p>\n

Guerra-Peixe\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Trovas capixabas<\/em><\/p>\n

Eunice Catunda\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0La dame et la licorne<\/em> (piano solo)<\/p>\n

H.J. Koellreutter\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Noturnos 1 e 2<\/em><\/p>\n

Claudio Santoro\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A menina boba
\n<\/em><\/p>\n

– \u00a0palestra sobre o grupo \u201cM\u00fasica Viva\u201d, por Carlos Kater<\/p>\n

SALA CECILIA MEIRELES, 19h<\/span><\/strong><\/p>\n

Coletivo Chama canta M\u00e1rio de Andrade<\/span><\/em><\/p>\n

M\u00e1rio de Andrade \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Viola quebrada<\/em> (vinheta de introdu\u00e7\u00e3o)<\/p>\n

M\u00e1rio de Andrade, Francisco Mignone \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Rud\u00e1<\/em><\/p>\n

M\u00e1rio de Andrade, Francisco Mignone\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Cantiga do ai<\/em><\/p>\n

M\u00e1rio de Andrade, Lorenzo Fernandez\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Toada pr\u00e1 voc\u00ea<\/em><\/p>\n

M\u00e1rio de Andrade, Camargo Guarnieri\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Despedida Sentimental<\/em><\/p>\n

M\u00e1rio de Andrade, Camargo Guarnieri\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Cantiga do Pai do Mato<\/em><\/p>\n

Thiago Thiago de Melo, Edu Kneip \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Certezas inacredit\u00e1veis<\/em><\/p>\n

Thiago Amud, Guinga \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Brasil\u00e9ia<\/em><\/p>\n

an\u00f4nimo\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tat\u00e1 Engenho novo<\/em><\/p>\n

an\u00f4nimo, recolhido por M\u00e1rio de Andrade\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Su\u00edte da Nau Catarineta<\/em><\/p>\n

Dobrado da chegada<\/em><\/p>\n

Canto de remar<\/em><\/p>\n

Romance da Nau Catarineta<\/em><\/p>\n

Avarias<\/em><\/p>\n

Barcarola final<\/em><\/p>\n

Pe\u00e3<\/em><\/p>\n

M\u00e1rio de Andrade \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Viola quebrada
\n<\/em><\/p>\n

Acesse aqui o cat\u00e1logo completo da Bienal<\/a><\/em><\/h2>\n","protected":false},"excerpt":{"rendered":"

Programa Acesse, ao final, mat\u00e9ria com mais informa\u00e7\u00f5es e cat\u00e1logo completo _____________________________________________ 10 de outubro de 2015 – s\u00e1bado, 17h Theatro Municipal do Rio de Janeiro I Alexandre Espinheira\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 E tornou-se f\u00e1bula** Jorge Antunes \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Apoteose de Rousseau*… Continuar lendo XXI Bienal de M\u00fasica Brasileira Contempor\u00e2nea<\/span><\/a><\/p>\n","protected":false},"author":81,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-79877","post","type-post","status-publish","format-standard","hentry","category-musica","entry"],"_links":{"self":[{"href":"https:\/\/sistema.funarte.gov.br\/noticias-antigas\/index.php?rest_route=\/wp\/v2\/posts\/79877","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sistema.funarte.gov.br\/noticias-antigas\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sistema.funarte.gov.br\/noticias-antigas\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sistema.funarte.gov.br\/noticias-antigas\/index.php?rest_route=\/wp\/v2\/users\/81"}],"replies":[{"embeddable":true,"href":"https:\/\/sistema.funarte.gov.br\/noticias-antigas\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=79877"}],"version-history":[{"count":9,"href":"https:\/\/sistema.funarte.gov.br\/noticias-antigas\/index.php?rest_route=\/wp\/v2\/posts\/79877\/revisions"}],"predecessor-version":[{"id":80879,"href":"https:\/\/sistema.funarte.gov.br\/noticias-antigas\/index.php?rest_route=\/wp\/v2\/posts\/79877\/revisions\/80879"}],"wp:attachment":[{"href":"https:\/\/sistema.funarte.gov.br\/noticias-antigas\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=79877"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sistema.funarte.gov.br\/noticias-antigas\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=79877"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sistema.funarte.gov.br\/noticias-antigas\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=79877"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}